It has a modern, geometric design and comes in various weights and styles. Roboto is a sans-serif typeface designed by Christian Robertson for Google. It has a geometric design with angled terminals and a clean, minimalist look. Zico Sans is a sans-serif typeface designed by Vernon Adams. It has a clean and legible design with a rounded appearance, inspired by the African Ubuntu philosophy. Ubuntu is a humanist sans-serif typeface designed by Dalton Maag. It has a clean and modern design with a large x-height and open apertures, making it easy to read at small sizes. PT Sans is a humanist sans-serif font designed by Alexandra Korolkova, Olga Umpeleva, and Vladimir Yefimov. Rubiks Cube Font 3D Font, 80s Font, Retro Typography, Modular Typeface. It has a geometric design with rounded corners and a modern appearance. Retro Font, Groovy Font, 80s Font, Bold Font, Font Bundle, Boho Font, Groovy. HK Grotesk is a sans-serif typeface designed by Alfredo Marco Pradil. It has a wide range of weights and styles and features rounded corners and open apertures. Poppins is a geometric sans-serif typeface designed by Indian Type Foundry. It has a minimal and modern design with simple, clean lines and a range of weights and styles. Tomorrow is a geometric sans-serif typeface designed by Adrien Coquet. It has a clean, modern design with a distinctive “cut-out” style in some of the letters. Blinkerīlinker is a sans-serif typeface designed by Geronimo Font Studios. It has a striking appearance and is often used for headlines and titles. Black Gold Displayīlack Display Gold is a display typeface with a bold, condensed design and an Art Deco-inspired style. It has a bold, condensed design with all-caps letters and a modern, industrial look. Glitch effects: Glitch effects, such as distorted or broken images, were often used in Y2K design to create a sense of technological malfunction or imperfection.īebas Neue is a sans-serif typeface designed by Ryoichi Tsunekawa.This gave designs a dynamic, futuristic look. Gradient backgrounds: Y2K design often used gradient backgrounds, with two or more colors blending together. These often featured sharp edges, unusual curves, and exaggerated letterforms. Futuristic fonts: Fonts with a futuristic or sci-fi feel were popular in Y2K design.Pixelated graphics: As digital technology became more prevalent, pixelated graphics and digital effects became more common in Y2K design.These shapes often had a futuristic, almost robotic feel. Geometric shapes: Geometric shapes, particularly squares and circles, were commonly used in Y2K design.Vibrant colors: Y2K design often featured bright and bold color palettes, including neons, pastels, and metallics.Some of the graphic design features associated with Y2K include: The term “Y2K” refers to the period leading up to the year 2000, which saw an explosion in digital technology and an optimistic, futuristic aesthetic. In this tutorial, our team of design experts will cover the best Y2K Fonts in Canva. Luckily, Canva has made adding great fonts to your designs much easier. But picking great fonts is a challenge most people. Great graphic design is powered by great font selection. Modula is available in both serif and sans serif versions, each with three weights.Disclosure: Some of the links in this article may be affiliate links, meaning that at no additional cost to you, I will receive a commission if you click through and make a purchase. This smooth printing option provided by the early Macintosh inspired much of Modula’s basic look and feel. For instance, she discovered that as a shortcut to increasing the resolution of bitmap typefaces from screen to printer some programs offered a “smooth” routine that polished stairstep pixels into smooth diagonal and circular segments. As a starting point for Modula, Licko used the proportions of her earlier Emperor Fifteen bitmap design and applied the precision of the computer’s geometric rendering abilities, as well as other technological quirks she stumbled upon while experimenting. In 1985, the computer was very crude as far as being able to produce subtle curves, but it was outstanding at producing perfect geometric elements. While she respected the nuances of our traditional typefaces and their evolution in conjunction with reading habits, she also felt that the forms of computer fonts must result as an integral part of the digital process, not in spite of it. Licko felt that through such imitations one failed to utilize the capabilities of the digital process. When digitizing existing analog fonts, the jagged lines of the resulting bitmap (or screen) fonts constructed hideous emulations of the original. It was created during a time when much of the industry’s digital font creation efforts were concentrated in the mechanical digitization of traditional photo or lead typeface designs. Modula was the first high resolution headline typeface that Licko designed using the Macintosh.
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